How do we give form to what escapes immediate perception? Light, elusive and ever-changing, has long been one of art history’s great motifs, and artists have never stopped studying its variations and testing its limits. Michiko Van de Velde observes it in its most fleeting appearances. Nicolas Delprat explores it through layering and erasure, where light seems to surface without ever fully revealing itself. In Natacha Mercier’s works, darkness shifts the conditions of seeing, at the very edge of the visible. But this attempt to grasp the ungraspable reaches beyond light itself. It asks how an experience, a sensation or an observation of the world can become form. After six years of encounters, exhibitions, projects and fairs, the Michèle Schoonjans Gallery brings together, for the first time,...